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NO FATE: Tristan Gac's Flowers That Outlast the Blast
Tristan Gac turns the nuclear apocalypse into a botanical time loop, where dandelions grip the burning fence long after the last skull has cooled into chrome.
Horror Without Permission: The New Grotesque at Management NYC
Management stages fifteen artists as a collective argument that distortion, abjection, and absurdity are now the only honest forms available to a reality amplified past bearing by the image-machine.
NADIR by Zishi Han and Laurence Sturla
Zishi Han and Laurence Sturla turn the map into an unstable instrument, tracing how cartography extracts, displaces, and possesses the ground it claims only to describe.
frequently, only silence can express my prayer
St. Therese
Alexander McQueen restages his own defining runway moments as a one-night séance in black, turning the retrospective into a reliquary of rain, thorns, and collapse.
A Survey Staged as a Séance: Alexander McQueen's Black
Five artists turn the cute, the cringe, and the zany into a diagram of platform capitalism, where affect is currency, attention is labor, and adorability is a trap.
Tender Aggression: CUTE BUT PSYCHO and the Liturgy of Platform Affect
TheHunterIssue Vol.1 by Leo Shmunk
Leo Shmunk turns TheHunterIssue Vol.1 into a critique-via-erasure, draining brand logos and celebrity faces to monochrome silhouettes that hold the fashion cycle in suspension.
Soft Armors: ‘MY FAKE NAILS MY REAL CLAWS’ and the Glamour of the Lethal Object
Thirteen artists turn the accessory into a soft armor: trophy and diary, ornament and weapon, the closet rewritten as a reliquary of becoming, where the next self waits sharpened.
Echoes That Refuse to Fade by Yesakova, Struger & Palyvoda
Three artists assemble the anatomical theatre as a living structure: dissection tables, ceramic relics, and mirror-shards mapping the body as site where power inscribes itself and refuses to dissolve.
Strange Rules by Mat Dryhurst and Holly Herndon
Cognition keeps showing up where we did not put it. Strange Rules turns Palazzo Diedo into a working laboratory for that suspicion, with Picbreeder and planarian worms as its strangest witnesses.
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The Colors Within by Naoko Yamada
Naoko Yamada turns a Catholic girls' school, a teenage rock band and a synesthete's watercolour vision into a soft liturgy on faith, friendship and unspoken queer longing.
New Genesis by Abdulhamid Kircher
Abdulhamid Kircher turns four years inside a Los Angeles household into a testimony of repetition, exhaustion and the welfare state's quiet refusals.
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Humiliation Rituals
Where identity is just content, what happens when the likes dry up?
Understanding the ‘Slopocene’
How the failures of AI can reveal its inner workings
Neo-Futurism
As Silicon Valley adopts a century-old movement’s aesthetics, Spike’s editor at large resumes her tech column to ask: What forces compel us to reach back to some romanticized past?
The rise and rise of Lotta Volkova
‘I don’t look at it from a perspective of fashion.’
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Blue Blooded: Hannah Levy's Pharmaceutical Bestiary
Hannah Levy turns the horseshoe crab into a mineralized liturgy of silicone, chrome, and cobalt glass: a pharmaceutical bestiary staged in a Sardinian washhouse.
Between Waking and the Image: Li Hui's Crack into Dreaming
Li Hui turns the edge of sleep into a photographic method: minimalist frames and double-exposure layers that map the subconscious as a territory between distance and closeness, memory and erasure.
Odyssea: Le sel de la terre at Spiaggia Libera and PUNTA Gallery
Spectral Armour: Floryan Varennes at Xxijra Hii
The Fire and Its Ghosts: Ghirardelli and Luzi
Coordinates of Suspension: Davide Allieri at Kunstraum Dornbirn
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11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
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