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The First Act of Possession: Zishi Han and Laurence Sturla's NADIR
Zishi Han and Laurence Sturla turn the map into an unstable instrument, tracing how cartography extracts, displaces, and possesses the ground it claims only to describe.
"Black" Mastercard 2004 Collection by Alexander McQueen
Alexander McQueen restages his own defining runway moments as a one-night séance in black, turning the retrospective into a reliquary of rain, thorns, and collapse.
Tender Aggression: CUTE BUT PSYCHO and the Liturgy of Platform Affect
Five artists turn the cute, the cringe, and the zany into a diagram of platform capitalism, where affect is currency, attention is labor, and adorability is a trap.
frequently, only silence can express my prayer
St. Therese
Leo Shmunk turns TheHunterIssue Vol.1 into a critique-via-erasure, draining brand logos and celebrity faces to monochrome silhouettes that hold the fashion cycle in suspension.
Drained to Ghosts: Leo Shmunk’s THEHUNTERISSUE and the Print That Refuses the Feed
Thirteen artists turn the accessory into a soft armor: trophy and diary, ornament and weapon, the closet rewritten as a reliquary of becoming, where the next self waits sharpened.
Soft Armors: ‘MY FAKE NAILS MY REAL CLAWS’ and the Glamour of the Lethal Object
Echoes That Refuse to Fade by Yesakova, Struger & Palyvoda
Three artists assemble the anatomical theatre as a living structure: dissection tables, ceramic relics, and mirror-shards mapping the body as site where power inscribes itself and refuses to dissolve.
Strange Rules by Mat Dryhurst and Holly Herndon
Cognition keeps showing up where we did not put it. Strange Rules turns Palazzo Diedo into a working laboratory for that suspicion, with Picbreeder and planarian worms as its strangest witnesses.
The Colors Within by Naoko Yamada
Naoko Yamada turns a Catholic girls' school, a teenage rock band and a synesthete's watercolour vision into a soft liturgy on faith, friendship and unspoken queer longing.
New Genesis by Abdulhamid Kircher
Abdulhamid Kircher turns four years inside a Los Angeles household into a testimony of repetition, exhaustion and the welfare state's quiet refusals.
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Blue Blooded — Sangue blu by Hannah Levy
Hannah Levy turns the horseshoe crab into a mineralized liturgy of silicone, chrome, and cobalt glass: a pharmaceutical bestiary staged in a Sardinian washhouse.
Li Hui — The Crack into Sleep Is the Crack into Dreaming
Li Hui turns the edge of sleep into a photographic method: minimalist frames and double-exposure layers that map the subconscious as a territory between distance and closeness, memory and erasure.
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Humiliation Rituals
Where identity is just content, what happens when the likes dry up?
Understanding the ‘Slopocene’
How the failures of AI can reveal its inner workings
Neo-Futurism
As Silicon Valley adopts a century-old movement’s aesthetics, Spike’s editor at large resumes her tech column to ask: What forces compel us to reach back to some romanticized past?
The rise and rise of Lotta Volkova
‘I don’t look at it from a perspective of fashion.’
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Salt of the Earth: Odyssea's Corrosive Index
A Bulgarian-French group show unfolds across two Varna spaces: six artists render biomatter, myth, and Mediterranean memory through latex, blood, chitin, amphorae, and charred debris.
Spectral Armour: Floryan Varennes's Anatomy of Care at Xxijra Hii
Floryan Varennes constructs an artificial medical garden at Xxijra Hii — PVC, glass, and steel orthoses suspending the body between protection and confinement, survival and transformation.
The Fire and Its Ghosts: Ghirardelli and Luzi
Coordinates of Suspension: Davide Allieri at Kunstraum Dornbirn
Total Loss at Wrecker's Art Space
Cold Front by Trey Abdella at Kraupa-Tuskany Zeidler
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11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
11/11 cult was born † we have nothing but belief †
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