Odie Lap Chun Chow, Edith Karlson, Jakob Lena Knebl, Yein Lee and Paulina Semkowicz turn the persona into a casting process, in which every mask is a mold and every self an imperfect cast.

The Mold Behind the Mask: PERSONA and the Self as an Imperfect Copy

Alicia Bilbao and Alejandra Moros turn Didier Anzieu's common skin fantasy, the infant's belief that it and its mother share one skin, into a weaning rite of hair, bone, beeswax and oil paint.

WEANING RITES: Alicia Bilbao and Alejandra Moros Split a Common Skin

Horror Without Permission: The New Grotesque at Management

Management stages fifteen artists as a collective argument that distortion, abjection, and absurdity are now the only honest forms available to a reality amplified past bearing by the image-machine.

The First Act of Possession: Zishi Han and Laurence Sturla's NADIR

Zishi Han and Laurence Sturla turn the map into an unstable instrument, tracing how cartography extracts, displaces, and possesses the ground it claims only to describe.